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Marguerite Clark : ウィキペディア英語版 | Marguerite Clark
Marguerite Clark (February 22, 1883 – September 25, 1940) was an American stage and silent film actress. As a movie actress, at one time, Clark was second only to Mary Pickford for popularity.〔("Foreign news: 'Tough for Has'-beens'." ) ''Variety'', June 8, 1927, p. 2.〕 ==Early life and theater== Born Helen Marguerite Clark in Avondale, Cincinnati, Ohio, she was the third child of Augustus "Gus" James and Helen Elizabeth Clark. She had an older sister, Cora, and an older brother named Clifton. Clark's mother Helen died on January 21, 1893. Her father worked in his self-owned successful haberdashery located in downtown Cincinnati before his death on December 29, 1896. Following the death, Clark's sister Cora was appointed her legal guardian and removed her from public school to further her education at Ursuline Academy.〔Nunn 1981, pp. 3–4.〕 She finished school at age 16, decided to pursue a career in the theatre and soon made her Broadway debut in 1900. The 17-year-old performed at various venues. In 1903 she was seen on Broadway opposite that hulking comedian DeWolf Hopper in ''Mr. Pickwick''. The Hopper dwarfed the nearly Clark in their scenes together. Several adventure-fantasy roles followed. In 1909 Clark starred in the whimsical costume play ''The Beauty Spot'', establishing the fantasy stories for which would soon become her hallmark.〔Blum 1988, p. 109.〕 In 1910 Clark appeared in ''The Wishing Ring'', a play directed by Cecil DeMille and later made into a motion picture by Maurice Tourneur. That same 1910 season had Clark appearing in ''Baby Mine'', a popular play produced by William A. Brady. In 1912 Clark performed in a lead role with John Barrymore, Doris Keane and Gail Kane in the play ''The Affairs of Anatol'' later made into a motion picture by Clark's future movie studio Famous Players-Lasky and directed by Cecil DeMille. Clark's popularity led to her signing a contract in 1914 to make motion pictures with Famous Players-Lasky. Clark had a lead role in a film that defined Clark's persona; the influential film version of Snow White (1916).
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